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Refusing to be put out by our late arrival we forced our way
through the crowd and waited for the main event. When Tame Impala came on they
did so accompanied by a light show straight out of a 1960’s LSD trip and started
with into one of the biggest songs from their newer album, the stellar “Let it
Happen”. The crowd reaction was incredible, but slightly bizarre, with almost a
mosh-pit opening up at the front and people leaping around as if it was 1977
and the Sex Pistols had just launched into “Anarchy in the UK”, not what I was
expecting from the decidedly mellow, psychedelic feel of Tame Impala. This was the
first of a few times during the gig that the band seemed a bit out of place in
the traditional gig setting, their set was tight, the songs were great and lead
singer Kevin Parker’s rapport with the crowd was undeniable, but it seems
strange that a band whose frontman is listed as playing “Vocals, Guitar and
Kazoo” on their Wikipedia would provoke such an energetic and at times violent
response. The security at the gig also detracted from the free-love aesthetics
of the visuals and music, demanding that nobody get on each other’s shoulders, crowd
surf or breath in the wrong direction, perhaps understandable when trying to
police such a massive crowd, but still a bit of a mood killer.
Overall Tame Impala played a fantastic set, with an encore
consisting of the old favourite “Feels Like We Only Go Backwards” coupled with
new song “New Person, Same Old Mistakes” and a blast from two massive confetti
cannons summing up the exuberance and fun that should have permeated the whole
gig. Unfortunately a cold February night and a ten thousand strong crowd don’t
easily gel with the band’s sound, and no matter how great they were there was
always the feeling that really, you’d rather be listening to them whilst lying
in a field on a summers day with a cold pint in one hand, not standing jammed
into a sweaty teenagers armpit drinking warm Carlsberg out of a paper cup
whilst an overenthusiastic fan elbows you in the kidneys from behind.
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